¶ … Conflicts Between Parents and Their Children: Amy Tan's "Two Kinds" and Mark Haddon's the Curious Incident of the Dog in the Night-Time We have all had our own squabbles with our parents, but in some cases it is a hard fight standing up against an oppressive parental force and establishing yourself as an individual. Yet, this is exactly what Jing-mei Woo and Christopher Boone do. In both Amy Tan's "Two Kinds and Mark Haddon's The Curious Incident of the Dog in the Night-Time, the growing teenage characters are being smothered by their oppressive single parents. Each one of them is being forced to play a role that is not truly meant for them; however, when each of them make a stand against that oppressive parental force, they are truly allowed to come into their own and establish themselves as an adult.

In Amy Tan's short story, "Two Kinds," the essential conflict is between a daughter and her obsessive mother. Jing-mei Woo is forced by her mother to take piano lessons and to excel at school. Her mother expects her to become a prodigy, the best at everything she puts her hands on. This puts an enormous amount of pressure on the adolescent Jing-mei, who does not want to do half of what her mother makes her do throughout the first half of the story. Her mother wanted her to become the Chinese Shirley Temple, perfect and admirable in every way....

Still, Jing-mei's mother forces her daughter to push so hard out of good intentions. Her mother immigrated from China and really held on to the idea that there is a better life here in the United States. She just wanted her daughter to excel, and have a better life than she did. However, her way of going about it only distances her and her daughter to the point of no return, where there is an inevitable conflict that eventually sets her daughter free. Jing-mei's mother shows clear disappointment when her daughter is not as perfect as she wants her to be; "And after seeing, once again, my mother's disappointed face, something inside me began to die. I hated the tests, the raised hopes and failed expectations. Before going to bed that night I looked in the mirror above the bathroom sink, and I saw only my face staring back -- and understood that it would always be this ordinary face" (Tan 2). Finally, Jing-mei has too much of her mother's obsessive burdens. She eventually faces her mother and tells her she will no longer play along and keep trying to be something she is not. In this moment of clarity, Jing-mei establishes herself as an adult and as an individual with her own hopes, dreams, and talents. This is a powerful moment, where the reader gets a first hand view of the child evolving into her own right.
Mark Haddon presents a similar parent-child conflict in his work, The Curious Incident of the Dog in the Night-Time. Here is a boy, Christopher Boone, who suffers from some sort of either anxiety or learning disorder.…